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Turkish Director Umut Dag’s debut feature “Kuma” is described by critics as a potent drama about how families nurture dysfunction behind their self-created barricades. The cleverly scripted tale contrasts the apparent simplicity of the domestic drama with the social perversion that is the second-wife (Kuma) practice. Nominated for Best First Feature and the Panorama Audience Award at the Berlin International Film Festival, the film is lauded by critics for the excellent performances of its stars